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Minggu, 27 November 2016

PDF Download The Mighty Asparagus (New York Times Best Illustrated Children's Books (Awards)), by Vladimir Radunsky

PDF Download The Mighty Asparagus (New York Times Best Illustrated Children's Books (Awards)), by Vladimir Radunsky

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The Mighty Asparagus (New York Times Best Illustrated Children's Books (Awards)), by Vladimir Radunsky

The Mighty Asparagus (New York Times Best Illustrated Children's Books (Awards)), by Vladimir Radunsky


The Mighty Asparagus (New York Times Best Illustrated Children's Books (Awards)), by Vladimir Radunsky


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The Mighty Asparagus (New York Times Best Illustrated Children's Books (Awards)), by Vladimir Radunsky

From School Library Journal

Grade 1-6–For those who love Radunsky's flamboyantly ribald sense of humor, are comfortable with chaos, and accepting of Italian Renaissance art delivered out of context and edited mischievously, this variant of the classic tale "The Turnip" is great fun. It is set in Italy in 1602, the year an enormous stalk of asparagus grew in the king's yard. A combined effort by the monarch, the queen, a rhinoceros, the bravest knight, the princess, and Tiny Little Bird succeeds in dislodging it. "And the humongous, stupendous, splendid, catastrophic vegetable collapsed!" Not much in the text or illustrations makes sense but both scream for attention. The old masters might not be pleased with Radunsky's schoolboy tendency to exaggerate their subjects' noses or white out their eye sockets to fill them in with slightly crossed bug eyes. Part of the book's mischief involves a seemingly mindless inclusion of phallic images. Adolescent? Oh yeah. And no wonder, considering that the artist says he was 13 years old in 1602 according to the book-jacket notes. It's all very amusing, but will children get it? Yes! The lowbrow humor, the blind silliness, and the quirky exaggerations are childishness itself. For older children there is the appeal of random sarcasm and funky, distorted illustrations.–Liza Graybill, Worcester Public Library, MA Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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From Booklist

Gr. 4-7. Interpretations of the Russian folktale "The Enormous Turnip" (see Tatiana Zunshine's book, p.1622), are legion, but Radunsky's may elicit some furrowed brows. A giant asparagus appears in the courtyard of a king, who despises it; eventually, a small bird succeeds in toppling it after all others fail. The book concludes with a foldout revealing the veggie behemoth surrounded by characters and their elegiac musings ("Such a huge asparagus it was, and now it's fallen and beaten down"). Readers older than the story's usual picture-book-age audience will probably most appreciate Radunsky's gonzo storytelling style, but the text is really just a vehicle for eye-popping visuals, a pastiche of Italian Renaissance people and other elements nicked from actual paintings. An author's note acknowledges artists such as Lorenzetti, Piero della Francesca, and Mantegna, but, unfortunately, no master list is given for the numerous individual paintings that are referenced. Creative educators might make this flaw into a virtue, though, by encouraging students to use library resources to trace Radunsky's inspirations. Younger groups studying folktales should stick with retellings like Jan Peck's The Giant Carrot (1998); pull this out for sophisticated older kids (and college-age art students), who will get the most out of the armchair museum tour. Jennifer MattsonCopyright © American Library Association. All rights reserved

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Product details

Age Range: 5 - 9 years

Grade Level: Preschool - 3

Series: New York Times Best Illustrated Children's Books (Awards)

Hardcover: 34 pages

Publisher: Harcourt Children's Books; First edition (May 1, 2004)

Language: English

ISBN-10: 0152167439

ISBN-13: 978-0152167431

Product Dimensions:

8.5 x 0.4 x 11 inches

Shipping Weight: 12.8 ounces

Average Customer Review:

3.7 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#1,648,884 in Books (See Top 100 in Books)

Radunsky tops himself here with illustrations featuring Italian renaissance art, total whimsy and a classic good 'ole Turnip story turned Asparagus (how very Italian, I guess). Your kid and you will both enjoy this artful book.

Brilliant artwork and story line, written as an off shoot of the well-known turnip tale. Radunsky has written and illustrated dozens of books, but this is the most complex and brings us into the world of Italian art of pre-Renaissance and Renaissance times. Adults will chuckle at the side comments he makes, as he delivers the story line. A must-have for any educator or family who loves and collects picture books.

DUMB BOOK! Pointless and not redeeming at all. 2004 NYTIMES standards must have been very low that year!

Prior to this book, Radunsky was probably best known for his illustrated children's books (picture and otherwise) and his insipid, "What Does Peace Feel Like?" of 2003. Nothing, in short, that set him apart from the pack of children's illustrators everywhere. Then he got an idea. He decided to create a picture book much in the style of such ribald and witty artists as Jon Scieszka and former partner Chris Raschka. A picture book that strains at the edges of convention. In short, a crazy amalgamation of classic Italian portraiture, the old Giant Turnip turned asparagus tale, and some mixed media for spice. The result is a book that may not always work in the ways Radunsky may have wanted it to, but at least it takes a gamble on being a little different. Other picture books should be so brave.If you know the story of the giant turnip, then this tale will come to you as little surprise. One day the king is walking around his backyard when he spies a gigantic asparagus, fully grown, standing in the middle of things. Everyone admits that it is amazing, but the king is determined to remove it forthwith. Says he, "It sticks out like a sore thumb". No amount of pulling or tugging so much as budges the vegetable, however. His wife, the queen, finds the asparagus to be a beautiful sight. Her wish is to place it in the center of the palace but both she and the king are unable to move it. Add on the princess, the bravest the knight in the kingdom, and a mighty rhinoceros, but for all these the asparagus remains. Finally the king consults his mother and she sends a single tiny bird, who brings the tasty green tall thing crashing down. The moral, hidden amongst a lot of jabbering by the king's subjects, boils down to, "Even the smallest effort counts". End of tale.It doesn't sound that weird, does it? Sounds pretty darn typical. Then you get a gander at the illustrations. Radunsky usually goes in for crazy original drawings. Here however he seems to have taken a page from Terry Gilliam's book. Characters, places, and things are all culled from classic Renaissance paintings, then given extra eyes, crazy noses, and sometimes entirely original faces. This haphazard conglomeration combines to produce a mighty weird tale. Then there are Radunsky's words in and of themselves. A fan of writing in script and saying things like the fact that he himself was born in 1589 and "became a participant in, the heroice battle of the Mighty Asparagus (March 1, 1602)". It's possibly the first picture I've ever seen made specifically for children that had honest-to-goodness footnotes in it. There are also a lot of fun throwaway lines here mixed within the story.Honestly, I haven't a clue if kids will like this story. Adults certainly will, though the sheer scale of silliness will keep if from being universally beloved. For originality, however, it's hard to beat. A fun if somewhat haphazard tale.

Fabulous book! An original spin on the the Turnip Tale with gorgeous illustrations and humor woven throughout. A fantastic "read-aloud" for those who like to share stories with children, this book is one to be enjoyed by little ones and adults alike!

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Jumat, 25 November 2016

Download PDF The Cloud of Unknowing

Download PDF The Cloud of Unknowing

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The Cloud of Unknowing


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The Cloud of Unknowing

Product details

Paperback: 100 pages

Publisher: CreateSpace Independent Publishing Platform (August 27, 2015)

Language: English

ISBN-10: 1517061415

ISBN-13: 978-1517061418

Product Dimensions:

6 x 0.2 x 9 inches

Shipping Weight: 6.1 ounces (View shipping rates and policies)

Average Customer Review:

3.6 out of 5 stars

15 customer reviews

Amazon Best Sellers Rank:

#40,315 in Books (See Top 100 in Books)

I have loved reading this old and complicated book that digs into our relationship with God. It is not light reading. Came highly recommended& is so worth the commitment it requires to get through it.

It's a classic in spiritual literature. Mega wisdom. the kind that the world is longing for

Difficult read. Will need to get another version.

Great book for meditation

the writer has a great sense of humor imparting food for thought.

Good but hard to read. I think it must be spiritually discerned rather than lay man trying to farhom.

Language is hard to follow, but I got through it!

Background information is most helpful because of the difference in language use and thought, generally. That being said, I found the book insightful for a perspective on Spiritual Formation

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Jumat, 18 November 2016

Download PDF , by Mary Stewart

Download PDF , by Mary Stewart

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, by Mary Stewart

Product details

File Size: 1169 KB

Print Length: 500 pages

Page Numbers Source ISBN: 0060548266

Publisher: Hodder & Stoughton (February 2, 2012)

Publication Date: February 2, 2012

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00713L1TS

Text-to-Speech:

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Amazon Best Sellers Rank:

#622,575 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I have set myself the goal of reading Mary Stewart's Arthurian Saga series this summer. This is the second book in that series.Once again we see events through the eyes of Merlin the Enchanter, as he narrates the story for us. We begin with Merlin traveling through the Mediterranean area after having safely delivered the baby Arthur into the keeping of those who will protect and raise him over the next several years.When Arthur is six years old, Merlin feels the call to return to England and to take up his own task of teaching and protecting the child. He finds Arthur strong and healthy and growing into the kind of human being that he had hoped to see; the kind of man who can be a brave, just, and benevolent king.The story of Arthur is so well-known, so ingrained in our cultural consciousness, that it seems pointless to spend space here on exposition. Stewart has taken those well-known facts, both historical and legendary, and has woven them into a tale of prophecy, magic, and valor.It's also a tale of jealousy, spite, hatred, and death. These latter characteristics are often traceable to the female characters in the story, who seldom come off as having a positive impact on events. Indeed, even the mention of one of the female characters often seems to portend shadows and disaster in the visions that Merlin has of the future.In relating the saga of Arthur and Merlin, Stewart does manage to reveal to us the diversity of people who made up the population of Britain in the days of - what was it? - the fifth century C.E.? If Arthur ever existed, and Stewart argues that there must at least have been a prototype, then that is probably the time period in which he lived.Of course, Arthur and his story have strong Welsh roots, but there were many other cultures that contributed to the lore. From the "Old Ones," the people of the forest, to the Picts, the Saxons, the descendants of Roman soldiers, and others, this was a very diverse group of people. Moreover, they worshiped many different gods and Merlin pays proper homage to them all. It was particularly interesting to me to see the way that the author integrated all of them into the story.Stewart tells the story in a relatively straightforward way, without trying to manufacture suspense. After all, we know what's going to happen before it happens, so why should she bother to try to fool us?Throughout the body of the work, the author gives ample foreshadowings of the conflicts and betrayals that are to come. Although Merlin is able to see into the future, there are things which he simply cannot change.Stewart was a very good writer and her creation of the settings of the story and the atmosphere were particular strong points both in The Hollow Hills and, previously, in The Crystal Cave. I would expect that to continue throughout the series.Near the end of The Hollow Hills comes the death of Uther Pendragon and the anointing of Arthur as the High King. Now, on to the glory days of the establishment of Camelot and to everything that came after.

This is the ULTIMATE Merlin/King Aurthur series.I have TRIED to read other Merlin/King Aurthur books/series and they just were lame and went over what every person (even those, which I am one of, not into the genre) is familiar with the legends.Mary Stewart took the original writings and legends and placed them into history seamlessly! She made them REAL historical figures. People who DID live.The writing is impeccable. The stories flow and you can't wait to read the next one! You are emersed into that historical world. It is vivid, alive, and swirling around you.Mary Stewart is one of the five greatest story tellers of the 20th century. She enthralls you, carries you breathlessly into her world and then slips you back into reality longing to go back again and again.I have read this series at least three times and I LOVE it more and more each time.This is a story/series you can read to/with your children. One to pass down as a family favorite!I can't wait until the urge to return to Mary Stewart's world filled with Merlin, King Aurthur, and the rest of the those that populate the legends hits me and I can once again be surrounded by them!

I think of the four principle books of this series The Hollow Hills is probably my favorite or at least tied with the Crystal Cave. Her ability to paint a picture of people and places that are no more and make them all seem like somewhere I've been and someone I might have known is legendary and she's at her best with these books. I have read and re-read all of these a number of times and I always find something I don't remember which paints a more complete understanding of the legend as she's painting it. IF you love the Arthurian legend; give these a try, I don't think you will be disappointed!

If this second book in Mary Stewart's Merlin trilogy isn't a page-turner, I don't know what is. I mean this in a very good sense. Yes, the suspense is an important factor, but it is the, well, ensorcelling, character of Merlin that keeps the reader glued to the pages. Even when the world's eyes are on the young King Arthur towards the end, the reader's mind and heart are still with this version of Merlin that Stewart has conjured up - so to speak; For she has imbued this Merlin with an inner life as well as her own poetic sensibilities.Readers of medieval romances will be attracted to the work, of course, but so will lovers of the poetic and those concerned with the inner life. I shall let Merlin's spell fall on the reader here in his own words:"It is one thing to have the gift of seeing the spirits and hearing the gods move about us as we come and go; but it is a gift of darkness as well as light....One cannot be visited by the future without being haunted by the past; one cannot taste comfort and glory without the bitter sting and fury of one's past deeds."Further,"To remember love after long sleep; to turn again to poetry after a year in the market place, or to youth after drowsy and stiffening age; to remember what once you thought life could hold, after telling over with and calculating fingers what it has offered; this is music, made after long silence."I'm too spellbound myself to give this book less than five swirling stars.

As the second book in the Arthurian saga, it is right on par with the first book, which has been my favorite book since I was about 17 (40 years ago). I just love this simplistic telling of the Arthurian legend. It feels more "real," since it unfolds as an autobiography, since it is narrated by Merlin. This book covers the birth through early life of Arthur, up to his taking the sword from the stone. It's the perfect continuation of the Crystal Cave.

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